Booklists

RULE NUMBER ONE: I will not turn out like my mother. Mim wants to be anywhere but home -- in a dead suburb and with a mother who won't get off the couch. She's set herself rules to live by, but she's starting to break them. In nine days she'll turn seventeen. What she doesn't know is that her life is about to change forever. And when it does, the same things will look entirely different. Usually read by students in years 9, 10, or above.

Lara Laylor is 15 and is struggling to find her sense of self. She's always been seen as Ashley's best friend or Hannah's sister. When hher History teacher Mr Grant gives her the assignment of researching the mystery of Adelaide's Somerton Man, she is instantly transported into another world. Lara becomes a detective as she tries to find out who this mysterious man was and why he died, anonymously, on a beach. As Lara researches, she is able to ignore some of the toxic friendships and crushes happening around her. However, she needs to grow up eventually and solve her own mysteries too. Usually read by students in years 9, 10, or above.

Harriet and Wilhelmina couldn't be more dissimilar. Harriet has the perfect life - she's dating the perfect girl, has been elected prefect, is the apple of her teachers' eye, and is an overachiever. Will, on the other hand, has gained the ire of her teachers and lands more detentions than she does accolades. But when both girls witness a teacher harass a fellow student, the two form an unlikely partnership to shed light on the many problems of the exclusive Rosemead Grammar. To protect their identities, they create Amelia Westlake, and as they work together they begin to question their distance from each other...Usually read by students in Years 9, 10 or above.

The soldiers she saved called her the Angel of Waterloo. The husband she loved and lost called her Hen. The patients she treated in secret called her Auntie Love. She was Henrietta Bartlett, a surgeon's daughter, a survivor of the Napoleonic Wars. But now the battlefield is just a blood-soaked memory, and Hen dreams of peace, a home, and a society that allows women to practise medicine. On the other side of the world, the newly founded colony of New South Wales seems a paradise. But Europe's wars cast long shadows .. Usually read by students in years 9, 10, or above.

Luca Mason knows exactly who he is and what he wants: In six months, he's going to be accepted into the Australian Ballet School, leave his fancy private high school, and live his life as a star of the stage - at least that's the plan until he falls down a flight of stairs and breaks his foot in a way he can never recover from. With his dancing dreams dead on their feet, Luca loses his performing arts scholarship and transfers to the local public school, leaving behind all his ballet friends and his whole future on stage. The only bright side is that he strikes up unlikely friendships with the nicest (and nerdiest) girl at his new school, Amina, and the gorgeous and popular school captain, Jordan Tanaka-Jones. As their unlikely bonds grow stronger, Luca starts to wonder: who is he without ballet? And is he setting himself up for another heartbreak? Usually read by students in years 9, 10, or above.

A simply written, moving account of Australian and New Zealand soldiers' dramatic experiences at Gallipoli, which includes extracts from their letters and diaries, along with graphic photographs. Usually read by students in years 9, 10 and above.

Set in the Western Australian goldfields in the 1930s, Neil describes the sometimes violent life on the diggings. Usually read by students in Years 9, 10 or above.

Lottie collects dead creatures and lovingly cares for them, hoping to preserve them, to save them from disintegration. Her father understands - Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie's mother died long ago. And Lottie is searching for a way to be close to her. Usually read by students in Years 9, 10 or above.

Since Ava lost Kelly, things haven't been going so well. Even before she gets thrown out of school for shouting at the principal, there's the simmering rage and all the weird destructive choices. The only thing going right for Ava is her job at Magic Kebab. Which is where she meets Gideon. Skinny, shy, anxious Gideon. A mad poet and collector of vinyl records with an aversion to social media. He lives in his head. She lives in her grief. The only people who can help them move on with their lives are each other. Usually read by students in Years 9, 10 or above.

Tiny is an eighteen-year-old girl living on the streets of Sydney, running from her small-town past. She finds short-term accommodation at Hope Lane - a shelter for the homeless - where she meets Nola, a high school student on volunteer placement. Both girls share their love of words through the Hope Lane writing group. Can they share their secrets, too? Usually read by students in Years 9, 10 or above.

Sixteen year old Rory (Aurora) is at the crossroads in her life. While her gang plans its next move in a racially motivated turf war, Rory refuses to reveal their names and takes the rap for an attack on the local immigrant community. She is sentenced to community care in an aged care facility. There, she meets resident and ex-boxer Jack, an encounter that leads her to Essam, a young migrant boxer, who will challenge her prejudices and force her to address the mistakes of her past. Some violence. Usually read by Years 9, 10 or above.

Based on Matt Okine's award-winning stand-up show, this is a heart-breaking and hilarious story about trying to grow up when everything around you is falling down. Usually read by students in years 9, 10, or above.

The bushfire season of 2019 and 2020 was the most catastrophic on record and the loss of lives, homes, property, habitat and wildlife were unprecedented. ABC journalists were present during these crises and reported information and updates on the growing fires. They gathered the many stories which can help those in the future understand what happened with the hope that lessons can be learned. Usually read by students in years 9, 10 and above.

BLAKWORK is a powerful collection of memoir, reportage, fiction, satire and critique through which the themes of great loss and the desire for a different future, emerge. Through her innovative and powerful poetic voice, Whittaker merges her own personal experiences with her research into Australian history and political decisions, to create a fearless and unsparing portrayal of the Australia presented through other interpretations; a portrayal that challenges the readers' understanding and invites them to rethink the identity and place projected onto the traditional custodians of the land. Usually read by students in year 9, 10 and above.

In 2012, Combat Engineer Curtis McGrath was serving in the Australian Army in Afghanistan when, in the line of duty, he stepped on a land mine. Just months later, Curtis was up and walking on prosthetic legs, motivated by the opportunity to march with his unit in their welcome-home ceremony. Kayaking gave him a new sense of purpose and a year later, Curtis captained the Australian team at the inaugural Invictus Games in London, founded by Prince Harry for wounded, injured or ill veterans. Then, within four years of his injury, Curtis won gold at the Rio 2016 Paralympic Games. Now a ten-time world champion gold medallist, Curtis is passionate about the power of sport to transform lives, he's ready at last to share his extraordinary story, and how he has approached every setback and challenge with courage, resilience, humour and grit. Usually read by students in years 9, 10, or above.

After the shipwreck of the Batavia off Western Australia in 1629, a cabin boy and a soldier were involved in a grisly, notorious mutiny. Most mutineers were hanged but the two men were marooned on the mainland, becoming Australia's first European settlers. No trace of them was ever found. Later European explorers reported seeing Aboriginal Australians with blue eyes. This novel suggests what might have happened in between. Usually read by students in Years 9, 10 or above.

Ten year old Subhi is a Rohingya asylum seeker, born in an Australian permanent detention centre, Life behind the fences is all he has ever known and Subhi needs the stories of others to build memories. One night, Jimmie appears from the other side of the wires, bringing a bone sparrow necklace and a notebook, written by her dead mother. As their tales unfold, Subhi and Jimmie might find a way to freedom but not until each of them has been braver than ever before. Usually read by Years 9, 10 or above.

Jono, a city-born Indigenous teenager is trying to figure out who he really is. Life in Brisbane hasn't exactly made him feel connected to his Country or community. After graduating, Jono and his friend Jenny score gigs at the Aboriginal Performing Arts Centre and an incredible opportunity comes knocking - interning with a documentary crew. Their mission? To promote a big government mining project in the Queensland desert. The catch? The details are sketchy, and the land is rumoured to be sacred. But who cares? Jono is stoked just to be part of something meaningful. Life takes a turn when they land in Gambari, a tiny rural town far from the city. He's haunted by an eerie omen of death, battling suffocating panic attacks, and even experiencing visions of Wudun - a malevolent spirit from the Dreaming. What's the real story behind the gas mining venture? Are the documentary crew hiding something from Jono? Usually read by students in years 9, 10, or above.

It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them. As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret - a secret he thought he'd locked away for good. Usually read by students in years 9, 10 and above.

What happens when you mix teenage boys, a fight club and ethnic rivalries? You get war. Romeo Makhlouf knows the rules. Stick with your own kind. Don't dob on your mates or your enemies. Respect the family. But even unwritten rules are made for breaking. Usually read by students in Years 9, 10 or above.

Callie risked everything to try to save her sister Gracie from the Change, but she failed. Now she has to risk everything simply to stay alive in the Zone where the Change is everywhere and nothing is what it seems. Until she stumbles across a secret from her past that might hold the key to defeating the Change. Hunted and alone, she finds refuge in the most unexpected of places, only to find that she is in more danger than ever. This book is usually read by students in years 9, 10 and above.

Nothing's been the same for Beth Teller since she died. Her dad, a detective, is the only one who can see and hear her - and he's drowning in grief. But now they have a mystery to solve together. Who is Isobel Catching, and what's her connection to the fire that killed a man? What happened to the people who haven't been seen since the fire? As Beth unravels the mystery, she finds a shocking story lurking beneath the surface of a small town, and a friendship that lasts beyond one life and into another. Told in two unforgettable voices, this gripping novel interweaves themes of grief, colonial history, violence, love and family. Usually read by students in years 9, 10 and above.

Merrick Hilton has done a runner. On his postie bike. With his swag and a need to clear his head before the HSC. He plays his parents and hits the road. But there's no telling how he'll handle life's potholes when things don't go as planned. Thankfully Victor - an old bloke he meets on the road - knows a bit about broken postie bikes, and broken hearts. Will Victor, Merrick, and the dog survive road-kill, the kindness of strangers, a rave, mindless violence and unexpected romance? There's only one way to find out. Usually read by students in Years 9, 10 or above.

In a dead-end town like Barwen, sixteen year old Clancy feels like a freak. She has a dysfunctional family, a real interest in Nature Club and a big crush on the local hot girl. Then, her dad is involved in a smash that kills two teenagers and the family must deal with the hostile town. Clancy meets someone who might become a friend and Sasha starts to show what may be a romantic interest. This is the summer when Clancy has to figure out just who she is. Adult themes, language. Usually read by years 9, 10 or above.

Natalie is living proof that love is a scam. She's traumatised by her parents' failed marriage and overwhelmed by her grandmother's expectations of good Lebanese girls - marriage, motherhood and exceptional tabouli-making skills. When her best friend decides to get hitched to a guy in the motherland, Nat's not exactly thrilled by the mammoth task before her: juggling cultural traditions, extra bridesmaid dresses and super-judgemental relatives. And to top it off there's the annoyingly good-looking best man and his constant need to mansplain all of the things. Natalie is in for the trip of her life. But can she save her friend from the cult of romance, without falling in love herself? Usually read by students in years 9, 10 and above.

Patch is out of place at Mountford College- she wears the wrong clothes, she's not sporty or popular, she lives in a small flat above her dad's record shop a world away from the leafy suburb where she goes to school. And she has a secret long-term crush on basketball star Evie Vanhoutte. Evie barely knows Patch exists until an accident involving a bottle of ink and Patch's school uniform sparks a friendship that's equal parts exhilarating and terrifying, and very, very confusing. As if that weren't enough, Patch is also trying to deal with a jealous school bully, forgetting to be supportive of her transitioning best friend, Edwin, and worrying about how a potential new stepmother could throw everything off course. Usually read by students in years 9, 10, or above.

Australian refugee stories is a unique anthology of essays, interviews, and stories written by children and young adults. The stories are the finest of hundreds collected through a nationwide schools competition in 2002. The essays and stories represent many different countries and themes. Some focus on survival, some on horrors, some on the experiences and alienation of a new world. This book is usually read by students in years 9, 10 and above, and contains stories featuring difficult and potentially confronting subjects and experiences.

A wonderful work of magical realism from a debut Australian Author. The Dream Walker is the story of Lucy, 16 years old and desperate to escape her life in her small impoverished fishing village. But the year ahead will change not only Lucy but reshape her entire world. Framed by the stunning Northern Queensland setting this magical tale, equally sad and optimistic, with remarkably believable characters is a joy to read and a book that is difficult to forget. Contains mature themes, usually read by student in Years 9,10 or above.

Cecilia grew up on a farm, with her six brothers, in rural Queensland. She despised her neighbours, the Kapernicky girls. When Cecilia returns as an adult, secrets which were deeply buried come to the surface. Contains adult themes. Usually read by students in Years 9, 10 and above.

Eva is far from home when everything goes wrong. And then it gets even worse. Her evacuation bus leaves her behind, stranded with classmates she barely knows. The chase is on. But South America is big, and the old rules are changing quickly. This is the road trip Eva never knew she needed. This is the race for the last flight home. Usually read by students in years 9, 10, or above.

What if there was a secret organisation of the leading medical experts that allowed young medical students to carry human experiments out - on themselves? This is the premise of this psychological thriller. Miri is a gifted 17 year old medical student who is willing to test her theories on herself. But, who really is in control? What is Miri up against, and what has she got to loose? Usually read by students in Years 9, 10 or above.

A story that focuses on the common and shared history of Aboriginal and non-Aboriginal people, and how many individuals are personally coming to terms with this history. Usually read by students in Years 9, 10 or above.

Since the disappearance of her identical twin sister nine years ago, 16-year-old Frankie has kept her distance from everyone. Despite the years that have passed, she spends her days scanning and searching for her sister. When the police fail to find an 11-year-old runaway, Frankie takes it upon herself to find her. Despite her best attempts to stay out of the public eye, this earns her a reputation as a 'finder'. Enter Elias - an extrovert with an extravagant sense of fashion and endless enthusiasm, who is looking for his birth mother. When Elias offers to employ a cash-strapped Frankie to track down his birth mother, she reluctantly agrees. What follows next is a journey of self-discovery as both Frankie and Elias uncover the things that truly define them. Usually read by students in Years 9, 10 or above.

Two young women a century apart are mysteriously connected. While 21st century Lizzie abandons old friends and makes reckless choices, 20th century Evie's dreams are torn apart by WW1. Lizzie and Evie will discover strength and courage from unexpected places. Usually read by students in years 9, 10 and above.

Beth Millar has always lived in Deni. In a small rural town. Her biggest problem is telling her over protective and fiercly private father that she has a boy friend. Whey her father disappears into thin air, Beth discovers that he's not who she thought he was, in fact nothing is what she thought. Her family's secret past has caught up with them and now someone wants them all dead. Beth has been training for this moment her whole life without even knowing, but will it be enough to keep ahead of her hunters? Usually read by students in Year 9, 10 and above.

When sixteen-year-old Yin Mitchell is abducted, the news reverberates through the whole Year Ten class at Balmoral Ladies College. As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller. Everyone is affected by Yin's disappearance - even scholarship student Chloe, who usually stays out of Balmoral dramas, is drawn into the maelstrom. And when she begins to form an uneasy alliance with Natalia, the queen of Year Ten, things get even more complicated. Usually read by students in years 9, 10 and above.

Stacey and Laney are twins - mirror images of each other - and yet they're as different as the sun and moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can't believe she's just run off without telling her. As the days pass and Laney doesn't return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing - Laney is alive. It's hard for Stacey to know what's real and what's imagined and even harder to know who to trust. All she knows for sure is that Laney needs her help. Stacey is the only one who can find her sister. Will she find her in time? Usually read by students in years 9, 10 and above.

Australia's gold rushes of the nineteenth century produced tremendous wealth and population growth for the struggling Australian colonies. People from all walks of life made the perilous journey to the goldfields, returning either fabulously wealthy or demoralised and broke. It was a time of huge political, social and cultural change. Includes diaries, journals, letters, official reports, newspaper articles of the time. A challenging read. Usually read by students in Years 9,10 or above.

It's school holidays and Gracey is coming home to Cunningham, a remote country town. Everything looks different, even frightening. When her brother, Dougy, finds three aboriginal bones, a chain of events causes Gracey to reconnect with her Aboriginal heritage. Includes coarse language and adult themes. Usually read by students in Years 9, 10 and above.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, attempts to showcase as many diverse voices, experiences and stories as possible in order to answer that question. Each account reveals, to some degree, the impacts of invasion and colonisation - on language, on country, on ways of life, and on how people are treated daily in the community, the education system, the workplace and friendship groups. Accounts from well-known authors and high-profile identities sit alongside newly discovered voices of all ages, with experiences spanning coastal and desert regions, cities and remote communities. All of them speak to the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking anthology aims to enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Usually read by students in years 9, 10 and above.

A mystery surrounds Harry's late father, a Vietnam veteran. Grandfather knows but he won't say, and no-one in Harry's family wants to have anything to do with Grandpa. Harry spends a lot of time recording Grandpa's memories of heroic action in World War ll. After Grandpa addresses Harry's class at school, the mystery is solved, leaving Harry devastated. Some adult themes and coarse language in context. Usually read by students in Years 9, 10 or above.

Seventeen-year-old Sophie hates Monday mornings, socks worn with sandals, and having to strategise like she's a battle sergeant every time she asks her parents if she can go out. But she especially hates being stereotyped because she's Lebanese. When New Guy, Shehadie Goldsmith, is alienated at her Lebanese school because his dad's Australian, she hates the way it makes her feel. Like she's just as prejudiced as everyone else. Like she could make a difference if she stopped pretending she's invisible. Like the attraction between them might be too strong to fight... But hate is such a strong word... Can Sophie find the strength to speak out - even if it means going against everything she's been brought up to believe? Usually read by students in Years 9, 10 or above.

Three women from very different backgrounds meet on the long sea voyage from their homeland of England to Sydney. They quickly bond in an unlikely friendship. Indulged and wealthy, Kat Fitzhubert, has been sold in an arranged marriage to someone in the new colony. Lady Viola Montefiore is a dark skinned lady that her family has kept hidden and then shipped to the new colony. Titiana Boot is as broad as a carthorse and as useful. Jackie French defies the myth of colonial women in the 1850s as merely wives, servants, or petty thieves. Instead she portrays them as businesswomen, farmers, bushrangers and illegal brewers. All of this happens as the convict colony reinvents itself into a land of gold rushes and illusive riches. Usually read by students in years 9, 10 and above.

For more than a century and a half, a grim tale has passed down through Michael Veitch's family: the story of the Ticonderoga, a clipper ship that sailed from Liverpool in August 1852, crammed with poor but hopeful emigrants - mostly Scottish victims of the clearances and the potato famine. Hoping for a better life in Australia. Three months later, a ghost ship crept into Port Phillip Bay flying the dreaded yellow flag of contagion. Deadly typhus had erupted, killing a quarter of the passengers and leaving many more desperately ill. Sharks followed the ship. Panic stuck Melbourne. James William Henry Veitch was the ship's assistant surgeon, on his first appointment to sea. Annie Morrison was a volunteer who helped him. Michael Veitch is their great-great grandson and Hell Ship is a well researched narrative which brings to life the hardships and horrors endured by those who came by sea to seek a new life in Australia. Usually read by students in years 9, 10, or above.

Samuel Johnson and Hilde Hinton, along with their late sister, Connie, have raised more than ten million dollars for cancer research. In this book, they have written a collection of simple stories about ordinary Australians who have faced extraordinary circumstances. All of these regular people, people you would meet on the street, have found reasons to stay positive and focused on believing in the power of kindness and positive thinking. Usually read by students in years 9, 10 and above.

When Melati Nelson wins a scholarship to an elite Melbourne high school, she buries her bad girl past. But after the school unfairly punishes her, a defiant Mel steals a diary from the school counsellor's office, only to discover a coded cry for help. The diary belongs to Devi, a young Indonesian girl who is being held by traffickers. Mel races against the clock, in a desperate journey that takes her from Melbourne to Java, to work out Devi's identity and where she's being held. Before long the pieces fall into place and Mel must put her own life on the line to save a girl she's never met. A gripping and original novel that explores privilege, responsibility, and the difficult and dangerous choices we are sometimes forced to make.

This #LoveOzYA anthology - the first to focus entirely on horror - unites a stellar cast of Australia's finest YA authors with talented new and emerging voices, including two graphic artists. The stories in this wide-ranging collection dig deep and go hard. While some are straight-up terrifying rollercoaster rides, others are psychologically rooted in our society's deepest fears and concerns: acceptance and fitting in, love and loss, desire and temptation, and the terror of a world threatened by catastrophic change -- and even collapse. From body horror to the supernatural, hauntings to transformations, and the everyday evil of humans to menacing outside forces, Hometown Haunts will have you glued to your chair... until you leap out of it! Usually read by students in years 9, 10 and above.

Rudra is an Indian-Australian boy at a crossroads, poised to step into the world of adulthood and to discover his cultural heritage and how that might truly define him. A wonderful exploration of dual heritage, cultural identity, family and the power of storytelling. Usually read by students in Years 9, 10 or above.

Two tales twist together at 203 Liberty Street, Newtown. In 1985, sixteen year old Evie and her family move into a new home, which appears to be haunted. Evie dreams of running footsteps, shouting voices and loud banging. Fifty years previously, during the Great Depression, Lizzie and her family live at number 203. Her family faces eviction and the local communist movement barricades the house. The final chapters reveal the connections between the past and the present. Usually read by students in Years 9, 10 or above.

Stella may only be seventeen, but having read every self-help book she can find means she knows a thing or two about helping people. She sure wasn't expecting to be the one in need of help, though. Thanks to her father's gambling addiction, Stella and her family now find themselves living at Fairyland Caravan Park. And hiding this truth from her friends is hard enough without dealing with another secret. Stella's birth mother has sent her a letter. As Stella deals with the chaos of her family, she must also confront the secrets and past of her 'other' family. But Stella is stronger than she realises. Usually read by students in years 9, 10, or above.

Life and love don't wait until you're ready, but what if finding yourself means losing everything you've ever known? Seventeen-year-old Alex Summers lives with a secret and the constant fear someone will find out. But when a new family moves to town, they bring with them their teenage daughter Phoenix Stone. When Alex falls for Phoenix, there is no warning. In a small town with small minds, girls don't go out with other girls, even if they want to. In fear there is bravery - you can either cling to the edge or have the courage to jump. But what do you do when you're left spiralling through the freefall? Usually read by students in years 9, 10 and above.

Year 12 is finished. Some students can't wait to escape their small town, others don't want to leave. Alba is unsure whether to pursue her drawing talents or stay working in the bakery. When Doomsday enthusiasts flock to the town to survive an apocalypse, Alba's childhood heartthrob, Daniel, arrives. Compared to figuring out her heart, Armageddon might be the least of her problems. Usually read by students in Years 9, 10 or above.

This is the breaking, the shattering, the smattering of every limit ever accepted or imposed... Kindred, Kirli Saunders debut poetry collection, is a pleasure to lose yourself in. Kirli has a keen eye for observation, humour and big themes that surround Love/Connection/Loss in an engaging style, complemented by evocative and poignant imagery. It talks to identity, culture, community and the role of Earth as healer. Kindred has the ability to grab hold of the personal in the universal and reflect this back to the reader. Usually read by students in years 9, 10 and above.

What does it mean to be queer? What does it mean to be human? In this powerful #LoveOzYA collection, twelve of Australia's finest writers from the LGBTQ+ community explore the stories of family, friends, lovers and strangers, and the connections that form us. This inclusive and intersectional #OwnVoices anthology for teen readers features work from writers of diverse genders, sexualities and identities, including writers who identify as First Nations, people of colour or disabled. With short stories by bestsellers, award winners and newcomers to young adult fiction including Jax Jacki Brown, Claire G Coleman, Michael Earp, Alison Evans, Erin Gough, Benjamin Law, Omar Sakr, Christos Tsiolkas, Ellen van Neerven, Marlee Jane Ward, Jen Wilde and Nevo Zisin. Usually read by students in years 9, 10 and above.

Six months ago, Zoey's life went off the rails. After the tragic loss of her brother, she partied her way to oblivion, estranged her best friend, Cass, and pushed away her now ex, Finn. But when her destructive behaviour reaches dangerous heights, Zoey realises she needs to pull herself together and get her old life back, including her ex. There's just one complication: Finn is now dating Cass. Now, it's the last week of summer and Zoey, Cass and Finn are setting out on the road trip of a lifetime to see their favourite musician, Gray, perform live, joined by Finn's infuriatingly attractive bad-boy cousin Luc and his vibrant younger sister Jolie. Zoey thinks this is her chance to put things to rights and convince Finn they should get back together. But she wasn't counting on her friends' lingering resentment, Luc's disarming sincerity, and Jolie's infectious love for life to turn her plans upside down. Usually read by students in Years 9, 10 or above.

Shane's family lives on a remote station. Most of the Aboriginal people have been driven off but Red and her grandfather remain. All risk losing their homes when a big company wants to combine five stations. Strong language used in context. Usually read by students in Years 9, 10 and above.

Vanessa Partidge lives with her dad, her brother and her ex-babysitter. Who just happens to be her dad's new wife. Her mother has disappeared with only sporadic contact. Vanessa isn't sure who she is and as she embarks on her usual family summer holiday at the beach, she starts to discover her own limits. Through a growing relationship with environmental activist Bodhi and a crush on her brother's best friend, Vanessa explores her sense of self. Usually read by students in Year 9, 10 & above.

A story for more mature readers about the tentative friendship between Linda and old Mrs Pugh in the nursing home. Usually read by students in Years 9, 10 or above.

Layla has ended the school year on a high and can't wait to spend the holidays hanging out with her friends and designing a prize-winning Grand Designs Tourismo invention. But Layla's plans are interrupted when her grandmother in Sudan falls ill and the family rush to be with her. The last time Layla went to Sudan she was only a young child. Now she feels torn between her Sudanese and Australian identities. As political tensions in Sudan erupt, so too do tensions between Layla and her family. Layla is determined not to lose her place in the invention team, but will she go against her parents' wishes? What would a Kandaka do? Usually read by students in years 9, 10 and above.

Living on Hope Street is a glimpse of modern day Australia through the lens of a single street and the families that make their lives along it. Kane will do everything he can to save his mother and his little brother Sam from the violence of his father, even if it means becoming a monster himself. Mrs Aslan will protect the boys no matter what, even though her own family is in pieces. Ada wants a family she can count on, while she faces new questions about herself. Mr Bailey is afraid of the refugees next door, but his worst fear will take another form. And Gugulethu is just trying to make a life away from terror. On this street, everyone comes from different places, but to find peace they will have to discover what unites them. A deeply moving, unflinching portrait of modern Australian suburban life. Usually read by students in Years 9, 10 or above.

Living on Stolen Land is a prose-styled look at our colonial-settler present. A perceptive and thoughtful examination of the colonial contextual history of Australia. It pulls apart the myths at the heart of our nationhood, and challenges Australia to come to terms with its own past and its place within and on Indigenous Countries. Usually read by students in years 9, 10 and above.

Alice Dyson knows exactly how she'll be spending her final year of high school: with her head down, concentrating on her textbooks and homework. She's focused on the future, and nothing is going to get in her way. Until a bizarre encounter with the school's most notorious troublemaker derails all her plans, turning Alice into the unwilling centre of attention and her life into one enormous complication. And even worse? Now Teddy Taualai won't leave her alone. Usually read by students in years 9, 10, and above.

Sandy Douglas knows that life at fifteen is hard - his mother died a year ago and his 18-year old brother, Red, has gone off the rails. As Sandy and Red deal with girls, friendship and their futures on their Mallee farm, both boys have to figure out who they want to be without their mum around. One thing is certain - the Mallee, where they live, may seem like the middle of nowhere, but it is going to be one hell of a year. Usually read by students in Years 9, 10 or above.

When 16-year-old Shaun discovers a dead body in the lake of a quiet mining town in outback Queensland, he immediately reports it to the police. But when he returns to the site with the constable, the body is gone. Shaun's father drowned a few years ago, and now his mum and the authorities questions whether he saw a body at all. Usually read by students in years 9, 10 and above.

Meet Me at the Intersection is an anthology of short fiction, memoir and poetry by authors who are First Nations, People of Colour, LGBTIQA+ or living with disability. The focus of the anthology is on Australian life as seen through each author's unique, and seldom heard, perspective. With works by Ellen van Neerven, Graham Akhurst, Kyle Lynch, Ezekiel Kwaymullina, Olivia Muscat, Mimi Lee, Jessica Walton, Kelly Gardiner, Rafeif Ismail, Yvette Walker, Amra Pajalic, Melanie Rodriga, Omar Sakr, Wendy Chen, Jordi Kerr, Rebecca Lim, Michelle Aung Thin and Alice Pung, this anthology is designed to challenge the dominant, homogenous story of privilege and power that rarely admits "outsider" voices. Usually read by students in years 9, 10 and above.

Living in the commission, Lexie is left to fend for herself. Her mother is mostly absent, out searching for something to help her forget the tragic death of Lexie's dad. After witnessing the aftermath of a shocking incident, Lexie finds solace in the most unlikely of places, a troubled old man called The Creeper. A chance, life-saving encounter on the commission's roof seeds a friendship between the two and when they enlist the help of Lexie's friend Davey, the three set off on a epic journey; one that will change their lives forever. Usually read by students in Years 9, 10 or above.

Set in the seventies, Jan Packard is a Melbourne thirteen year old growing up in changing times. She discovers the sexual revolution, politics, the anti-Vietnam moratorium, the impact of war service, boys and that parents are fallible and human. Usually read by students in Years 9, 10 or above.

Kaya is completing her HSC when she is woken in the middle of the night by her mother. They are to pack immediately and go to their holiday home in the Blue Mountains. Her father is not coming back, after giving evidence against some dangerous criminals in court. Months later, they are still in hiding and the mysteries are multiplying. Kaya is not sure who to trust: her mother'd new friend, the policeman or her new friend, Eric, from the local store. She is also recovering from memory loss caused by PTSD after a chilling encounter with the criminals. She is seeing a psychologist in an attempt to recall the evidence she might have to give in a forthcoming trial. Will she remember - and what dangers will her memories lead to? Usually read by students in years 9, 10 and above.

Phoebe's non-Indigenous mother, a busy event manager, and her father, an Aboriginal man and uni lecturer, have split up and she's moved to sleepy old Willunga with him and his new health-obsessed girlfriend. It's only a few kilometres from Phoebe's old friends and the city, but it feels like another world. Her new school is full of hippies, but some of the kids are cool and the local basketball team is tight, and before long Phoebe's fitting in. But as her mum becomes increasingly unreliable, Phoebe's grades begin to suffer, her place on the basketball team is under threat and her worries spiral out of control. Phoebe can't tell her friends and is worried her dad will get angry, but pretending everything is fine is breaking her heart. How can she help her mum without tearing her family apart? Usually read by students in Years 9, 10 and above.

In 1789, the new colony in Sydney is established. Nanberry is an Aboriginal boy who is raised by Surgeon John White and witnesses the struggles of the colonists to survive in the wilderness. Follow Nanberry and his white brother as they make their way in the world, as well as the young convict woman who becomes a lady in her own right. Usually read by students in Years 9, 10 or above.

Imagine being the only two seventeen-year-olds in a small town. That's life for Kirby Arrow named after the most dissenting judge in Australia's history and her best friend Clancy Lee, would-be musical star. Clancy wants nothing more than to leave town and head for the big smoke, but Kirby is worried: her family has a history of leaving. She hasn't heard from her father since he left when she was a baby. Shouldn't she stay to help her mother with the goat's-milk soap-making business and look after her grandfather? And how could she leave her pet goat, Stanley, her dog Maude, and her cat Marianne? But two things happen that change everything for Kirby. She finds an article in the newspaper about her father, and Iris arrives in town. Iris is beautiful, wears crazy clothes, plays the mandolin, and seems perfect.. Clancy has his heart set on winning over Iris. Trouble is Kirby is also falling in love with Iris...Usually read by students in Years 9, 10 or above.

Our home town. Sometimes it feels like the centre of the universe, sometimes it's the bum-end of nowhere. We are her sons and daughters. These are our triumphs and our heartaches, our fears and hopes for a better life. Getting lost, falling in love, pushing boundaries, exploring the world - powerfully honest stories to make you think and feel, from the award-winning author of The Dead I Know and Changing Gear. Usually read by students in years 9, 10 and above.

Sam has always had things going on in his head that no-one else understands, not even his mum. Now she's dead, it's worse than ever. With his skateboard and a few belongings in a garbage bag, Sam goes to live with the strangers his mum cut ties with seven years ago, Aunty Lorraine and his cousins, Shane and Minty. As the days slowly meld into one another and ghosts from the past reappear, Sam has to make the ultimate decision. Mature read. Usually read by students in Years 9, 10 or above.

On his 11th birthday, Jacob's father gives him a diary to write about things that happen. But Jacob knows something should not be written down. Some things should not be remembered. The only things he knows for sure what his father has taught him. Jacob is sheltered, protected, isolated. But who is his father protecting him from? And how far will his father go to keep the world at bay?

Morgan Lodhi has been the target of bullies since he was in primary school. He seems to just attract them. He becomes known across the school as Pig and everyone around him find it easier to either ignore the bullying or just join in. High school is a battle ground but it is not without some pockets of kindness. Contains scenes of bullying which some readers may find confronting. Usually read by students in years 9, 10 and above.

Seventeen-year-old Gwendolyn P. Pearson has become very good at not thinking about the awful things that have happened to her family. But following a strange disturbance at the cafe where she works, Gwen is forced to confront what happened to her family all those years ago. And she slowly comes to realise that people aren't as they first appear and that like her, everyone has a story to tell. Usually read by students in Years 9, 10 or above.

Suffering from an incurable disease, Adam Auttenberg sees the hospital as his second home. With some long-term special friends and an exciting new friendship he faces the toughest challenge. Peter Vu uses his own experiences to create an emotive text as a page turner. Usually read by students in Years 9, 10 or above.

From the lessons of a high-performance athlete's career to appreciating the small things in life - this inspiring illustrated book, for fans of Ellyse Perry, features stories and reflections from her childhood and career on the themes of dreaming, belief, work, resilience, acceptance, opportunity, balance and perseverance - and their importance in everything we do.Usually read by students in years 9, 10 and above.

Peta Lyre is far from typical. The world she lives in isn't designed for the way her mind works, but when she follows her therapist's rules for 'normal' behaviour, she can almost fit in without attracting attention. When a new girl, Sam, starts at school, Peta's carefully structured routines start to crack. But on the school ski trip, with romance blooming and a newfound confidence, she starts to wonder if maybe she can have a normal life after all. When things fall apart, Peta must decide whether all the old rules still matter. Does she want a life less ordinary, or should she keep her rating normal? Usually read by students in years 9, 10 and above.

In 1930s Glebe, Joe Riley has to be creative to make pocket money. He's watched his dad keep ahead of the law and he's sure that he can too. When his parents send him to a Catholic boarding school, Joe is homesick and lonely. He meets the darker side of human nature and is at odds with the school, especially Brother Felix. Expelled, Joe is sent to a reform school where life is tough. But, through working the land, Joe eventually finds inner strength, peace and true freedom. Mature themes. Usually read by Years 9, 10 or above.

Evie sees things. She's wary of the other kids at school- she doesn't want them to see her drawings or know how different she is...what would they say? She tries hard to block it all out and pretends to be normal, just like every one else. But a missing girl is trying to tell Evie something. A girl who is very persistent, who will not give up. A girl who once wore the red cardigan Evie now wears. As much as she tries, Evie can no longer ignore the question that demands an answer...who is the girl in the red cardigan? Usually read by students in years 9, 10 and above.

Any three titles read from this series can be included as official Challenge books; up to five more titles can be included as your personal choice books. To see the individual book titles and their PRC ID numbers, go to the Series lists on the Booklists page, on the website. Or, you can search for a series name or the individual titles by using the Search function on the top left hand corner of the screen.

The summer is finally here, and Pearl Nash is on a mission to save her slowly disintegrating friendship with a whirlwind end-of-year road trip. However, suddenly Pearl ends up stuck in the middle of the desert beside Obi Okocha, a boy with an irritating attitude. Add a breakdown, multiple arguments, an AWOL nana and a kiss; the perfect ingredients for a perfect disaster. Or is it? Usually read by students in years 9, 10, or above.

Life for Kit Lovell has not been easy. She never knew her father, a renowned sea captain who drowned after his ship sank. Kit's grandmother dies and she and her mother are evicted from their home in England. When Kit's mother agrees to marry a man she has never met, they embark on a treacherous and monotonous journey to the far flung colony of South Australia. Usually read by students in Years 9, 10 or above.

Shaping the Fractured Self showcases twenty-eight of Australia's finest poets who happen to live with chronic illness and pain. The autobiographical short essays, in conjunction with the three poems from each of the poets, capture the body in trauma in its many and varied moods. Because those who live with chronic illness and pain experience shifts in their relationship to it on a yearly, monthly or daily basis, so do the words they use to describe it. Usually read by students in years 9, 10 and above.

The Administration has taken control of the country, and everything has changed for the city's homeless youth. Now they are forced to work in the Towers with no hope of escape. 17-year-old Ally works long, hard hours in the laundry and is resigned to her fate. She can even cope with the cruelty of the guards, because living in the Towers is still better than the tunnels where she used to live. But as lavish birthday preparations are in full swing for the Tower's charismatic overseer, Ally's boyfriend Bon, vanishes without a trace. In her desperate search to find him, Ally is caught up in a deadly plot by the Administration. And now she wasn't answers. What has happened to Bon? And why did he leave behind a drawing of a moth? Usually read by students in years 9, 10, or above.

Zoe Kelly is starting a new phase of her life. High school was a mess of bullying and autistic masking that left her burnt out. Now, with an internship at an online media company, Zoe is taking her first steps on the road to her dream career. When her article about her non-existent love life goes viral, 18 year old Zoe is overwhelmed and more than a little surprised by the response. But with a deadline for her next piece looming and a list of romantic contenders from the past, she is hoping that one of those old sparks will turn into a new flame. Usually read by students in years 9, 10 and above.

A sequel to, The Barrumbi kids, in which a trip to Barrumbi changes everything. Dale is warned in a dream that his brother, Sean, is in danger. He doesn't know that what happens to Sean will have a devastating effect on the whole community. Usually read by students in Years 9, 10 and above.

Noah is in love with his online best friend. Which is a huge problem, for the following reasons- 1. His crush has no idea. 2. Noah only knows him as his gaming avatar. 3. There's zero chance they'll ever meet in real life. So, when Noah sees an opportunity to secretly meet his crush, he takes it. Even though he'll have to join the cast of a local production of Chicago with his self-obsessed mother. Even though he'll need to lie to his best (and only) friend. And even though he'll have to sing and dance in front of actual people. Because love is worth the risk. And, really, what could possibly go wrong? Usually read by students in Years 9, 10 or above.

The door creaks open and standing in the entrance is my absolute worst nightmare. Perfect hair, perfect teeth, perfect brain. Perfect sneer. Evelyn Tait. Taking Down Evelyn Tait is a story about family, friends and embracing who you are. Even if that person is kind of weird. Usually read by students in years 9, 10 and above.

Beck, short for Beethoven, is the son of world famous ex-pianist Ida Magdalena Keverich. A stroke has left her without the ability to play, and so she places all her hopes, expectations, and efforts into turning her son into a musical prodigy. To Beck this has meant a life of emotional and physical neglect. He has no fitting clothes and struggles to find food to feed his younger sister. Beck's mother, the maestro, has a violent temper and Beck often comes to school with bruises and other signs of injury. In meeting August, a girl from his school, who is in many ways his exact opposite, Beck learns that life and music do not have to entail the suffering he is used to. Usually read by students in Years 9, 10 or above.

Spit, the barefoot grandson of old Fyfe, has other ideas for his future after his grandfather dies and the town wants Spit to go into an orphanage. Usually read by students in Years 9, 10 or above.

Robert Hoge was born with a giant tumor on his forehead, severly distorted facial features, and legs that were twisted and useless. His mother was so horrified she initially refused to look at her son, let alone bring him home. But home he went, to a life that was, against all odds, filled with joy, optimism, and general boyhood naughtiness. Ugly is Robert's account of his life, from his birth to the arrival of his own daughter. It's a story of an extraordinary person living an ordinary life, which given the incredible hardships he had to overcome, is possibly his greatest achievement of all. Usually read by students in year 9, 10 and above.

It's 1965, and an old Tattersalls barrel starts rolling marbles to randomly conscript young Australian men to fight in the war in Vietnam. Melbourne housewife Jean McLean is outraged, as are her artist friends Clif and Marlene Pugh, who live in the country with their wombat, Hooper. Determined to wreck the system, Jean forms the Save Our Sons movement's Victorian branch, and she and her supporters take to the streets to protest. Meanwhile, in the small country town of Katunga, Bill Cantwell joins the Australian Army, and in Saigon, young Mai Ho is writing letters to South Vietnamese soldiers from her school desk. And when Hooper's call-up papers arrive, he mysteriously goes underground... Usually read by students in years 9, 10, or above.

Unnecessary Drama is a funny and romantic coming-of-age story set in a student share house in Melbourne. The story focuses on Brooke's initial experiences living out of home while starting her first year of university. Rule-oriented and organised, Brooke is ready for anything, until she discovers her second housemate is really her friend-turned-enemy from high school, Jesse. She vows to ignore him. However, dealing with anxieties, mishaps and the unexpected complications of life might make this promise harder to keep than she thought. Usually read by students in years 9, 10, or above.

Jaime lives in Dalton's Bay with Aunty Dawn and Uncle Bobby. He spends his downtime hanging out with his mates, Dally and Lenny. Jamie's just an Aboriginal kid trying to find his way, but Mark Cassidy and the while lads take every opportunity they can to bully him and his friends. One night, Jamie, Dally and Lenny decide to retaliate...but things don't go as planned and the consequences are devastating. Usually read by students in years 9, 10, or above. Can Jaime mend his relationships with himself, his friends, his family, and his future?

Seventeen-year-old Priscilla Daalma's entire family are Hollow Warriors - legendary monster hunters charged with killing evil beasts from beyond our universe. She's desperate to live up to that legacy, but she's convinced neither she, nor her superpower - the ability to sense Hollow energy - is up to the task. But when Priscilla attempts a desperate ritual to enhance her abilities, she accidentally triggers a frightening new power: the power to summon monsters from the Hollow itself. Now, Priscilla must protect her loved ones from supernatural monsters, and also from herself. Because if her power gets out, all hell will break loose ... and Priscilla will risk losing everything. Usually read by students in years 9, 10, and above.

Written by one of Australia's most prominent Indigenous voices, Welcome to Country is essential reading for every young Australian. The chapters cover prehistory, post-colonial history, language, kinship, knowledge, art, performance, storytelling, native title, the Stolen Generations, making a rightful place for First Australians and looking to the future for Indigenous Australia. This book is for the new Australian generations and works towards rectifying the wrongs of this country's past. You will quickly appreciate how lucky we are to be the home of the world's oldest continuing civilisation -- which is both diverse and thriving in Australia today.

When Michael meets Mina, they are at a rally for refugees, standing on opposite sides. Mina fled Afghanistan with her mother, via a refugee camp, a leaky boat and a detention centre. Michael's parents have founded a new political party called Aussie Values. They want to stop the boats. Mina wants to stop the hate. Michael and Mina will need to overcome their differences to find some common ground. Usually read by students in Years 9, 10 or above.

When Madeleine is shipped off to stay with her eccentric grandmother for the holidays, she expects the usual: politics, early-morning yoga, extreme healthy food, and lots of hard work. Instead, Madeleine tumbles back in time to 1900, where the wealthy Williamson family takes her into their home, Lyrebird Muse. At a time when young girls have no power and no voice, set against a backdrop of the struggles for emancipation, federation and Aboriginal rights, Madeleine must find a way to fit in with the Williamson family's four sisters - beautiful, cold Bea; clever, awkward Gert; adventurous, rebellious Charlie; and darling baby Imo - as she searches desperately for a way home. Meanwhile, the Williamson girls' enchanting German cousin, Elfriede, arrives on the scene on a heavenly wave of smoke and cinnamon, and threatens to shatter everything... Usually read by students in Years 9, 10 or above.

Lucy, Fin and Max have survived the missile attacks which have devastated Australia and its population, now they are fleeing Sydney on the promise of safety in a compound with people who will shelter and protect them. Not long after their arrival they find their safety may come at a price they are not willing to pay...It soon becomes evident that missiles and starvation aren't the only threats to their survival. Usually read by students in years 9, 10, or above.

Anna has high expectations for herself and her future. She is hardworking and focussed, but while she would like life outside of studying to stay in the shadows, her family's dark history summons her to the country and to the grandparents she has never met. Anna discovers secrets she never knew existed and answers to questions she never thought to ask. Usually read by students in years 9, 10 and above.

Finn, Kas, and Willow have survived the winter. Severe winds and cold have kept the Wilders at bay. Now that spring has come, everything has changed. They're being hunted again, and they won't be safe while the brutal Ramage wants their blood. But Finn and Kas made a promise to Rose - to find her baby, Hope, and bring her back...but finding Hope, means finding Ramage...and Finn will face the toughest decision of his live. Usually read by students in Year 9, 10 and above.

When hatred opens the homestead gates and the enemy is so close to home, do you fear the fall, or find courage to fly? A heritage listed home in the Riverina is up for grabs and Isabella's Mum falls hopelessly in love. Yet it seems the new immigrant family who come to pick oranges at the orchard become a target for intolerance. But when Isabella's brother Abel takes leave from the Army barracks to disappear without a trace, the family's tree change plummets them into their worst fears. As the hours march irrevocably on, hope is the only weapon they possess, as each of them learn that a hero is made, not born. Usually read by students in years 9, 10, or above.

With her long skirt and headscarf Layla certainly stands out at her new high school. Everyone thinks they know her, just from a glance. But do they? And does Layla really know herself? Usually read by students in years 9, 10, and above